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General Countries Performances

 

Performances, GENERAL: Australia, Austria, Asia, Canada, Chile, China, Cuba, Eastern Europe, France, Germany, Great Britain,  Israel,  Macedonia, Puerto Rico, Russia, Spain, South Africa, The Netherlands,& the United States of America.

 

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By Alphabet of Composition
First Concert Performance

 

Instrumentation; Duration;  Year Composed; 
 First Concert Performance

 

Americana Visited: violin or viola and piano; 10:00; 1984; Baltimore Museum of Art, February 10, 1985 (Richard Field, viola; Jeffrey Chappell, piano).

 

Americana Visited Variations: violin or viola and piano; 10:00; 1984; Name change 1992

 

Anomalies I, II, III, IV: soprano, flute, trumpet, & soprano; 1977; I-III performed at Peabody Conservatory, April 20, 1977 (Susan Wolan, soprano; Gail Pilling, flute; Wayne Cameron, trumpet).

 

Ars Nova: two bassoons; 6:00; 1981; Baltimore Museum of Art, November 29, 1981 (Philip Kolker, James O. Bolyard).

 

The Bare Smooth Stone Of Your Love, in memory of Daniel Malkin: cello and piano with narrator (text: “Cello Recital” by Carole Malkin 1996); Sundays at Three series, Christ Episcopal Church, Columbia, MD, 6:17;April 19, 1998 (Troy Stuart, cello; Adam Mahonske, piano; Ronald Mutchnik, narrator).

 

Bertolt Brecht: narrator and prepared tape; 1974; Towson State College (Cevia Snyder, oral interpretations, accompanying music of prepared tape).

 

Best of Friends (music to play by Grace Cavalieri): prepared tape; 1974; College of Notre Dame of Maryland (Alice Houstle, director).

 

Changing Space: prepared tape for dance; 10:00 and 5:00 versions; 1972 or 73; University of Maryland, Baltimore County (Elizabeth Walton Le Blanc, choreographer).

 

Classical Jeans, see Purple Ice

 

Clouds of Memories: version for 11 strings with no repeat, 5:30; version for 11 strings with narration of memories by 4 narrators and repeat, 12:00; 2002; second version performed Har Sinai Peggy & Yale Gordon Trust Concert, April 9, 2002 (Chesapeake String Orchestra: Jeffrey Silberschlag, conductor).

 

Cry a Thousand Tears: soprano, alto flute, muted trumpet, prepared tape; 7:35; 1978; Peabody Conservatory, March, 1979 (Susan Wollen, soprano; Gail Cameron, flute; Wayne Cameron, trumpet).

Cry Beloved Country: rapper and prepared tape; 3:00; Temple Oheb Shalom, May 13, 1992 (Suli Holum).

 

Cuban Lawyer, Juan Blanco, excerpt from Portraits of Lawyers originally The Velvet Hammers; 22:29; 2002; Theme/Piece 5:24 plus 7 variations:  Variation 1 Musician, :42; Variation 2 Preparing for Electroacoustic Music Festival, 1:29; Variation 8 Quilt 2 short, 2:33; Variation 8 Quilt long, 3:52; Variation 9 Never Ever Abandon Love Of Music, :10; Variation of Variations Kennedy Center, 6:42 (narration may be live, Variation of Variations may be live and interactive). Havana, Cuba, March 10, 2000, 13:00.

 

Cuban Lawyer, Juan Blanco, Variation of Variations Kennedy Center: performed live on stage by composer via four remote-controlled CD players, 6:42; 2001.

 

Dance Variations: trombone choir, electric bass guitar, percussion; 8:05; 1982; Artscape, Baltimore, Lyric Opera House lobby, July, 1982 (Baltimore Trombone Choir; David Fetter, conductor; David Holmes, bass guitar; Chris Williams, percussion).

 

Dark Waters [alternate title, Journey of Waters]: solo treble instrument with 11 instruments plus violin, cello and bass sections; 7:30; 1984 (revised 1994); Har Sinai Congregation Peggy & Yale Gordon Concert, May 10, 1994 (Baltimore Chamber Orchestra, Anne Harrigan, conductor, Ed Hoffman, trumpet solo
D
ark Waters: version for 14 instruments plus solo treble instrument; 7:30; 1984
Dark Waters
: version for treble instrument and piano; 3:00

 

Devy's Song: treble instrument and piano; 2:30; 1984; Baltimore Museum of Art, February, 1985 (Richard Field, viola, Jeffrey Chappell, piano).

 

Dona Nobis Pacem: prepared tape; 4:30; 1977; Peabody Conservatory.

 

Fanfare For My Hero, In The Pin Striped Suit: full orchestra; 3:00 or 2:00 if faster; 1993; Kraushaar Auditorium, Goucher College, May 1, 1994 (reading by enlarged Goucher Chamber Symphony; Sebrina Alfonso, conductor).

 

Force III: full orchestra; 12:00; 1979; Joseph Meyerhoff Symphony Hall, December 2-3, 1982 (Baltimore Symphony Orchestra Celebrity Series; Sergiu Comissiona, conductor).

 

Garden Song [excerpt from Portrait Of A Friend]: tenor and tape; 5:02; 1986; October 1992-1994, television, From My Window, cable 19, Kjell Forsting director, (Howard Carr, tenor).

 

The Healing Place (version 1): narrator with flute, clarinet, violin, viola, cello, keyboards, tape (text: Grace Cavalieri); 15:20; 1985; Baltimore Museum of Art, March 14, 1987 (Joseph Eubanks, narrator; ensemble conducted by Rudow).

 

The Healing Place (version 2): no narration, keyboards combined with tape as one tape; 15:20; Res Music America, Charles County Arts Alliance, November 4, 1989 (Res MusicAmerica: Reinhard Sunnus, flute; Daniel Silver, clarinet; Ronald Mutchnik,violin; Sherrie Norwitz, viola; Daniel Malkin, cello; Rudow, conductor).

 

The Healing Place (1991 revised version): no narration, live keyboards and tape; 20:00; The Motor Coach, Ltd., February 24, 1991 (Res MusicAmerica: Sara Landgren, flute; David Drosinos, clarinet; Hou Lei, violin; Joan Bob, viola; Daniel Malkin, cello; Rudow, conductor).

 

The Healing Place VI (total revision with no live keyboards, prepared tape combined with former keyboard part, plus click track): flute, clarinet, violin, viola, violoncello, prepared tape, optional narrator; 13:46; 1991.

 

The Healing Place VI (revised version): flute, clarinet, violin, viola, violoncello, prepared tape, live keyboards, optional narrator; 13:45; 1991; (ensemble conducted by Forrest Tobey).

 

I Hope You Are Pleased: clarinet; Walters Art Gallery, October 31, 1982 (Steve Barta, clarinet, Stephanie Powell, dancer).

 

I Pledge My Love: tenor and string quartet;  3:11; June, 1992 (Howard Carr, tenor; string quartet directed by Joan Bob).

 

I Pledge My Love: version for tenor and tape; 3:11.    
Journey of Waters [alternate title, Dark Waters]:  soprano solo and 14 instruments; 7:30; 1984 (text by Grace Cavalieri); Baltimore Museum of Art, December 2, 1984 (Pamela Jordan, soprano; ensemble conducted by Rudow).
Journey of Waters: version for voice and 11 instruments plus violin, cello and bass sections; 1994.
Journey of Waters: version for voice and piano; 3:04; 1984.

 

Kaddish, in memory of Isaac Hollins: solo bassoon; 6:00; 1975; Peabody Conservatory, April 14, 1975 (James O. Bolyard).

 

Lament, in memory of Daniel Malkin: cello and piano with narrator; 5:15; (text: “Passover Questions” by Carole Malkin); Music in Common series, Christ Episcopal Church, Columbia, MD, August 3, 1997 (Troy Stuart, cello; William Zvarick, piano; Ronald Mutchnik, narrator).

 

Lavender (1992): tape, excerpt from Migrations. 1:10. Melancholy, wishfull, awing, loving.

 

Lies: prepared tape; 3:30; 1973; Peabody Conservatory.

 

The Lion and The Hares: prepared tape; 6:00; 1972; Peabody Conservatory.

 

Love Chain [male voice and piano version of String of Pearls; alternate title, Classical Jeans] see Classical Jeans: 8 simple songs, Purple Ice.

 

The Majesty Of It All: prepared tape; 2003, 9:02; November 21, 2004, WMUA FM 91.1 Amherst, Mass.                                   Martian Gardens, host Max Shea, radio

 

Migrations: prepared tape for poetry by Grace Cavalieri; 32:00; 1992; Franz Bader Gallery, Washington, DC, September 14, 1992 (performance with dance and slides).

 

Migrations; Postlude from Migrations; 3:46.

 

No Rest For Devy's Spirit: solo viola; 3:00; 1984; Baltimore Museum of Art, February, 1985 (Richard Field).

 

Norma's Children's Shoes: electronic score, alternate Rebecca's Rainbow; 2:37; 1992.

 

Not Me!: violin, cello, and piano; 14:00; 1989; Charles Ives Center for American Music, Roxbury, Connecticut, August 21, 1992 (reading by Cosima Trio).

 

The Oak and The Reeds: prepared tape; 3:30; 1972; Peabody Conservatory.

 

Portrait of A Friend: tenor and prepared tape (text: Grace Cavalieri); 21:00; 1986.

 

Portrait of A Friend: mezzo soprano and prepared tape; 21:00; 1986; Baltimore Museum of Art, October 26, 1986 (Pamela Jordan, soprano).

 

Portraits of Lawyers, originally The Velvet Hammers: Recorded electronic and acoustic music plus recorded speech by lawyers and their friends edited and mixed into a sound collage as an art music documentary honoring lawyers. A radio work. Easily understood. 37:48; 1989-2004 (INTRODUCTION-FOUNDER, 2004; PARADE OF LAWYERS, Help People, Exciting, Respected, Right Wrongs, Scholarship, Panic, Chaos, Adrenaline, Family, Rationalizing, Reasoning, Strategizing, Crisis, War Games, Telephone!, Hired Gun, Chickens, Actor, Community Service, Divorce, 2004; Young Lawyer, 1989, :31, Drone, 1989, 1:25; Artist, Litigator, Stress, 2003; Managing Partner,1993, 3:05; Barter System, Legal Aid, Lose Child, 1992, 6:00; Native American Lawyer, 2:42, Lawyers Out West, 1996, 2:36; Cuban Lawyer, 2000;  Billable Hours, RECAPITULATION 2004)

 

Purple Ice: voice and piano, words and lyrics Grace Cavalieri,  [alternate titles, Classical Jeans, String of Pearls, 8 songs for female voice and piano; Love Chain, male voice and piano]; 10 songs composed 1984-92; 28:00, 34:14 (all 10 songs); 8 songs as mono opera Baltimore Museum of Art, November 29, 1987 (Beth Rothenberg, mezzo soprano; Jeffrey Chappell, piano).
       White Ribbons of Love;
       Blue Bird;
       Ya Gotta Know Me (male version Get With Me Baby);
       Liquid Gold;
       I Will Not Be There;
       Walking Beside You;
       Running;
       Shadows In The Wind,
       I Pledge My Love;
       Journey Of Waters.

 

Puzzle 1: prepared tape; 1:39; 1972; Baltimore radio, 1972.

 

Racing Inside the Milky Way: prepared tape; 2:58; 1994; Sonic Circuits II festival, St. Paul, MN, April 30, 1994.

 

Rebecca's Suite, in memory of Rebecca Blackwell [Rebecca's Song and Rebecca’s Rainbow Racing Among The Stars, combined]: solo piano; 9:30.

 

Rebecca's Song: solo piano; 5:30; 1989; Charles County Arts Alliance, November 4, 1989 (Eric Conway, piano).

 

Rebecca's Rainbow Racing Among The Stars: solo piano; 4:00; 1991; Jack B. Kussmaul Theatre, Frederick, MD, May 6, 1994 (Jeffrey Chappell, piano).

 

Spirit of America [formerly Urbo Turbo, 1999]: full orchestra, audience participation; 10:30; revised 2001; River Side Festival, St. Mary's City, MD, July 12, 2002 (enlarged Chesapeake Chamber Orchestra; Jeffrey Silberschlag, conductor).

 

Syntheticon: prepared tape; 5:30 or 6:00; 1973; Peabody Conservatory.

 

The Oak and The Reeds, prepared tape; 1972; Peabody Conservatory.

 

The Sky Speaks, 1. Clouds: always there for you: mezzo soprano, SSAATTBB chorus, cello, percussion, piano, simple alternate percussion 2 part for percussion composed for chorus members or a second percussionist; 1996.

 

Trojan Women: prepared tape for play; 1973; College of Notre Dame of Maryland (Alice Houstle, director).

 

Urbo Turbo: full orchestra; 1999; Goucher College, Towson, MD, April 18, 2000 (expanded Goucher Chamber Symphony; Elisa Koehler, music director).

 

Weeping Rocker: prepared tape; 8:35; 1992; Towson State University, June 26-28, 1992 (accompaniment to dance by Nancy Wanich Romita).

 

Weeping Rocker III: chamber orchestra and SATB chorus; 5:40; 1993 [see listing under songs].

 

Weeping Rocker III: SATB chorus and prepared tape; 5:40; 1993.

 

With Love, a fantasy for live cello and cello cases in memory of Myrtle Hollins Adelberg: cello and prepared tape; 16:43; 1986; Res Musica Baltimore, Baltimore Museum of Art, January, 1986 (Paula-Skolnick-Virizlay, cello, with prepared tape; Amalie Rothschild, cello cases).

 

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By Alphabet of Composition
Additional Concerts

(all in Baltimore, Maryland unless otherwise indicated)

 

Americana Visited or Americana Visited Variations

Minnesota Composers Forum, Walker Art Center, 1986.

Strathmore Hall, Rockville, Maryland, April 1987.

Anne Arundel Community College: Ron Mutchnik, violin, Louis Stewart, piano; April 1987.

Holton Arms, Bethesda, Maryland: Lynne LeVine, viola, Myriam Teie, piano; April 21, 1989.

National Gallery of Art, Washington, D.C.: LeVine & Teie; May 7, 1989.

Phillips Collection, Washington, D.C.: Richard Field, viola, Jeffrey Chappell, piano; May 28, 1989.

Res Music America concert, Dundalk Community College: Ron Mutchnik, violin, Eric Conway, piano; March 25, 1990.

Res Music America concert, Kent Island United Methodist Church, Chester, Maryland: Jose Cueto, violin, Eric Conway, piano; October 12, 1990.

Virginia Tech University, Blacksburg, Virginia: Linda Plaut, violin, Kent Holliday piano (excerpts); April 10, 1992.

Virginia Tech University: Plaut & Holliday; February 6, 1993.

2nd Festival of New American Music (William Matthews, director), Bates College, Lewiston, Maine: April 29, 1994.

 

Ars Nova

Oberlin College, Oberlin, Ohio: Linda Harwell & Bobbi Jo, bassoons; February 18, 1995.

University of Maryland, College Park, Maryland: Harwell & Jo; September 25, 1995.

University of Maryland, College Park: Heather Schneider & Vanessa Kulisik, bassoons; April 5, 1997.

University of Maryland, College Park: Heather Schneider & Vanessa Kuliseh Ferrai; March 5, 1998.

Peabody Conservatory: Tanya Merchant & Heather Noelle Schneider, bassoons; May 16, 1998.

International Double Reed Society Conference, Arizona State University, Tempe, Arizona: Merchant & Schneider.

Peabody Conservatory Elderhostel Concert: Merchant & Schneider; September 17, 1998.

 

The Bare Smooth Stone of Your Love

Baltimore Composers Forum concert, Church of St. Michael & All All Angesls: Laurel Karlick, piano; March 20, 1994.

Oberlin College, Ohio: Kris Cowperthawaite, cello; April 15, 2000.

New Horizons concert, Goucher College: Jason Love, cello, Kevin Winkler, piano, Kyle Engler, narrator; May 30, 2000.

Har Sinai Peggy & Yale Gordon Trust Concert: Troy Kenneth Stuart, cello Michael Adcock, piano; May 5, 2002.

Unitarian Church, Columbia, Maryland: Stuart & Adcock; November 16, 2002.

 

Best of Friends

Seattle, Washington: La Pensee Players; 1975.

 

Blue Bird

Baltimore Hebrew Congregation: Loraine Bernstein, soprano, Hilda Goodwin, piano; April 25, 1995.

Summit: Bernstein & Goodwin; May 16, 1996.

Beth El Congregation: Bernstein & Goodwin; January 27, 1997

 

Changing Space

Goucher College: Naked Feet Dance Company, 1981.

 

Cry a Thousand Tears

Electronic Music Plus Festival, Southeastern Composers League and American Society of University Composers (Region III), University of Maryland, College Park, Maryland, November 3, 1979.

Electronic Music Festival, Jersey City State College, New Jersey, March 5, 1980.

Festival of Electronic Music, University of Tennessee: alto flute, muted trumpet, soprano and prepared tape, April 16, 1980.

 

Cuban Lawyer, Juan Blanco

An excerpt from The Velvet Hammers (Variations 1. Musician, 2. Preparing for Electroacoustic Music Festival, 5. Never, 9. Never Ever Abandon Love of Music, THEME/PIECE), 30th Festival International des Musiques et Creations Electroniques, Bourges, France, June 16, 2000.

LIVE and not live electronic, Baltimore Composers Forum/Ars Viva I concert, Goucher College, November 6, 2000.

Electronic only and Rudow LIVE performance, SEAMUS, Baton Rouge, Louisiana, March 1, 2001.

Artscape, listening station “Music Speaks,” July 13-15, 2001.

VARIATIONS OF VARIATIONS, Sonic Circuits (presented by American Composers Forum), Millennium Stage, Kennedy Center, Washington, D.C.: Rudow conducting 4 CD players LIVE performance, August 13, 2001.

MEDiA CIRCU[it]S' 2002, ElectroAcoustic Music Center, Peck School of the Arts Recital Hall, University of Wisconsin-Milwaukee: November 5, 2002

Four Variations and THEME/PIECE, Forum-Festival COMPUTER MUSIC WORLD, Electroacoustic Autumn Union Hall 2002, Sofia, Bulgaria; November  25, 2002.

 

Dance Variations

Baltimore Museum of Art: Baltimore Trombone Choir (David Fetter, conductor), Chris Williams, percussion, David Holmes, electric bass guitar, January 1982.

 

Devy's Song

Strathmore Hall, Rockville, Maryland, April 1987.

National Gallery of Art, Washington, D.C.: Lynne LeVine, Myriam Teie, piano; May 7, 1989.

George Mason Regional Library Concert Series, Annandale, Virginia: Sherrie Norwitz, viola; April 4, 1990.

Towson State University: Norwitz; April 6, 1990.

Rockville Civic Center Mansion Conservatory Room, Rockville, Maryland (Arts In The Park concert series): Norwitz; June 3, 1990.

BTEC Faculty Recital, The Library of City College: Sherrie Norwitz, viola, Jose Carceres, piano; February 23, 1991.

Harmony Hall Regional Center, John Addison Concert Hall, Fort Washington, Maryland: Sherrie Norwitz, viola, Saryana Kostovetsky, piano; February 24, 1991.

University of Maryland, College Park, Maryland: Sherri Norwitz, viola; February 5, 1996.

Towson State University: Norwitz; March 8, 1996.

Peggy & Yale Gordon Concert, Har Sinai Congregation: Ronald Mutchnik, violin, Daniel Wyneken, piano; October 18, 1998.

St. Andrew’s Church; Kamloops, British Columbia, Canada: Quilchena Players (Jennifer Jonson, viola, Roberta Anne Hutcheon, piano); November 22, 1998.

Womyn performers, Landmark Center, St. Paul, Minnesota: Judith Eisnor, violin, Gail Olszewski, piano; June 18, 2000.

Fabulous Fridays, Dubuque, Iowa: Tracey Rush, viola; March 9, 2001.

"Salvation" with the quote "Truly, I say to you, today you will be with me in Paradise,"  Good Friday Service, Roberta Guthrie, cello, Central Christian Church (Disciples of Christ), Lexington, Kentucky, March 25, 2005

Berea College, Berea, KY, 1. Noon: "Journeys Along the Creative Path," 2. Evening Program, “Women’s History Month,  Roberta Guthrie, cello, March 9, 2005
 

Dona Nobis Pacem (Still Life) and (without Still Life)

Naked Feet Dance Company, Robin Williams, choreographer, 1981, Goucher College, numerous performances; east performance:  Baltimore School for the Arts, May, 1988; Seamus, Cal Arts, 1985; Sound Images III, Intermedia Arts, Minnesota, March 24, 1989.

A TRIBUTE TO THE 20TH ANNIVERSARY OF THE BOURGES INTERNATIONAL  FESTIVAL OF ELECTROACOUSTIC MUSIC, INTERARTS PROJECTS, INC. (Marilyn Boyd DiReggi, director), French Embassy,Washington, D.C., November 9, 1990.

Three puzzles using early electronic music (Puzzle 1, Lies, Dona Nobis Pacem), The Baltimore Composers Forum, Fells Point Creative Alliance, January 19, 2001.

Artscape, listening station “Music Speaks,” July 13-15, 2001.

 

Fanfare For My Hero In The Pin Stripped Suit

Peabody Conservatory: Orchestra reading (Hajimo Teri Murai, conductor); October 24, 1994.

 

Garden Song

En Red O 2000-Electric Songs, Barcelona, Spain: December 11-13, 2001.

 

The Healing Place

Walters Art Gallery, Rudow conducting, fl, cl, vln, vla, vlc, tape, Eubanks, narrator; October 14, 1988.

Res Music America concert, The Motor Coach, Ltd., Randallstown, MD (revised version): 8 performers, Rudow conducting; February 24, 1991.

Res Music America concert, Weinberg Center, Frederick, Maryland (revised version for live acoustic instruments and keyboards): 8 performers; Rudow conducting, March 1, 1991.

Pittsburgh New Music Ensemble with prepared tape (David Stock, conductor);  February 6, 1995.

 

I Hope You Are Pleased

National Penwomen’s Association, Towson, Maryland: Ed Paladen, clarinet, 1983.

 

I Pledge My Love

En Red O 2000-Electric Songs, Barcelona, Spain: December 11-13, 2001.

 

Journey of Waters

Towson State University and Dundalk Community College: Pamela Jordan, mezzo soprano, Baltimore Chamber Orchestra (Ann Harrigan, conductor); 1986.

 

Kaddish in memory of Isaac Hollins

Evansville, Indiana: Richard Lotridge, bassoon; 1977.

American Society of University Composers (Region III), Shenandoah College and Conservatory, Virginia, 1979.

Towson State University: Gene Griswold, bassoon; 1986.

St. Mary's College, St. Mary’s City, Maryland: Deborah Greitzer, bassoon; October 6, 1989.

Weill Recital Hall at Carnegie Hall, New York, New York: Greitzer; March 1, 1990.

University of Maryland, College Park: Richard Spittel, bassoon; March 23, 1992.

Memorial service for Helen Cyr, Towson State University: Gene Griswold, bassoon; October 24, 1993.

James Madison University, Harrisburg, West Virginia: solo bassoon, January 30, 1995.

Baltimore Composers Forum concert, Church of St. Michael & All Angels: Linda Harwell, bassoon; October 15, 1995.

Douglas Community Church, Douglas, Alaska: Tanya Merchant, bassoon; March 21, 1997.

Peabody Conservatory: Tanya Merchant, bassoon; May 16, 1998.

Harid Conservatory, Florida: Arthur Weisberg, bassoon; April 26, 2000.

Dr. Hoch’s Conservatory,  Frankfurt, Germany, Karl Ventulett, bassoon; October 7, 2004

 

Lament

Baltimore Composers Forum concert, First Unitarian Church: Cecilia Kim, cello; November 14, 1999.

Oberlin College, Oberlin, Ohio: Kris Cowperthawaite, cello; April 15, 2000.

 

Lies and Syntheticon

Goucher College: members of Dance Department (Chrystelle T. Bond, choreographer): 1974.

American Society of University Composers conference, Towson State University: 1976.

 

Lies

Baltimore Museum of Art: 1982.

Three puzzles using early electronic music, Baltimore Composers Forum concert, Fells Point Creative Alliance: January 19, 2001.

 

Lies and Dona Nobis Pacem

SEAMUS Cal Arts, California Institute of the Arts: 1985.

 

Migrations Postlude

Synthese 1996, Bourges, France: June 1, 1996.

 

No Rest For Devy's Spirit

Phillips Collection, Washington, D.C.: Richard Field, viola; May 28, 1989.

Strathmore Hall, Rockville, Maryland: April 1987.

BTEC Faculty Recital, The Library of City College: Sherrie Norwitz, viola, Jose Carceres, piano; February 23, 1991.

Harmony Hall Regional Center, John Addison Concert Hall, Fort Washington, Maryland: Sherrie Norwitz, viola, Saryana Kostovetsky, piano; February 24, 1991.

University of Maryland, College Park, Maryland: Norwitz; February 5, 1996.

 

Not Me!

Charles Ives Center for American Music International Music Festival, Roxbury, Connecticut, resident composer, 21st: reading by Cosima Trio; August 20-27, 1992.

Peggy & Yale Gordon Har Sinai Trust Concert: Herbert Greenberg, violin, Stephen Kates, cello, Marian Hahn, piano; October 17, 1994.

Shepherd College, Shepherdstown, West Virginia: Mellasenah Edwards, violin, Sophie Parks, piano, Ken Law, cello; July 14, 1996.

 

The Oak and the Reeds

Robinne Comissiona's Chamber Dance Ensemble, Pointe on Strings: performances at:  Baltimore Museum of Art; York, Pennsylvania; Turner Auditorium; Catonsville Community College; Peabody Conservatory; and Baltimore Jewish Community Center, music for dance, 1973-74, favorably reviewed by The Baltimore Sun.

 

Portrait of a Friend

International Monetary Fund, Washington, D.C.: Howard Carr, tenor, October 18, 1988.

SEAMUS LA, Los Angeles, California: Carr; 1988.

Berklee College, Framingham, Massachusetts: Tom Rhea, producer; March 17, 1990.

Artscape, listening station “Music Speaks,” July 13-15, 2001.

 

Purple Ice

Baltimore Composers Forum concert, Catonsville Community College: Julie Kurzava, soprano, David McDade, piano, February 2,1997.

Birmingham Art Music Alliance, Birmingham, Alabama: Jackie Leary-Warsaw, soprano, Adam Bowles, piano; December 2, 2003.

 

Puzzle I

Three puzzles using early electronic music, Baltimore Composers Forum, Fells Point Creative Alliance, January 19, 2001.

 

Racing Inside the Milky Way

Sonic Circuits II, St. Paul, Minnesota: April 30-May 1, 1994.

 

Rebecca's Rainbow Racing Among The Stars

Baltimore Composers Forum concert, Church of St. Michael & All Angels: Laurel Karlick, piano; March 20, 1994.

Goucher College: Jeffrey Chappell, piano; May 6, 1994.

Merrick Hall, Goucher College: Chappell; May 4, 1995.

Celebrating 100 Years of Women Composers, Ohio University, Athens, Ohio: Nanette Kaplan Soloman, piano; October 25, 1997.

Fine Arts Center, East Stroudsburg University, East Strousburg, Pennsylvania: AnnaSue Cavanough, piano; October 23, 2002.

BEIJING YIFU Conference Center,  Beijing, China, Professor Anton Malikov, piano; March 14, 2004

 

Rebecca's Song in memory of Rebecca Blackwell

Res Music America concert, Charles County Arts Alliance, Christ Episcopal Church: Eric Conway, piano; November 4, 1989.

Anne Arundel Community College: Conway; December 4, 1989.

Res Music America concert, Baltimore Museum of Art: Conway; March 11, 1990.

Res Music America concert, Kent Island United Methodist Church, Chester, Maryland: Conway; October 12, 1990.

Society of Composers, Radford University: Caryl Conger, piano; September 28, 1991.

Baltimore Composers Forum concert, Church of St. Michael & All Angels: Laurel Karlick, piano; March 20, 1994.

University Sains Malaysia (Razak Abdul Raziz, director): Raymond Tan Telk Guan, piano; October, 7, 1994.

Chrisofori Hall, Amsterdam, Holland: Ruth Rose, piano; November 27, 1994.

Meredith Gallery & First Unitarian Church: Laurel Karlick, piano; February 11-12, 1995.

Har Sinai Congregation: Agi Rado, piano; November 5, 1995.

Leakin Hall, Peabody Conservatory: Lillian O'Daniel, piano; December 2, 1995.

Towson State University: O'Daniel; February 18, 1996.

Holocaust Museum, Washington D.C.: Agi Rado, piano; May 5, 1996.

Mosterdzaadje, in Santpoor Noord, Netherlands: Ruth Rose, piano; April 11, 1997.

Pueblo, Colorado: Honors piano recital by Bernadette Garcia; October 1998.

University of Southern Colorado: Garcia; February 4 and March 10, 1999.

Peggy and Yale Gordon Concert: Nanette Kaplan Solomon, piano; April 18, 1999.

Colorado Music Fest: Bernadette Garcia, piano; June 24, 1999.

Towson State University: Cindy Heston-Miller, piano; December 11, 2004.

 

Rebecca's Suite/Rebecca's Song & Rebecca's Rainbow

Baltimore Composers Forum concert, Church of St. Michael and All Angels (world premiere of “Rainbow”): Laurel  Karlick, piano; March 20, 1994.

James Madison University, Harrisburg, West Virginia: Patricia Brady, piano; January 30, 1995.

Talmadge Recital Hall, Hollins College, Virginia: Nanette Kaplan Solomon, piano; January 29, 1996.

Northridge-School of the Arts, California State University: Solomon; February 23, 1996.

Eckerd College, St. Petersburg, Florida: Solomon; March 10, 1996.

Allegheny College, Meadville, Pennsylvania: Solomon; March 13, 1996.

Ball State University, Muncie, Indiana: Solomon; March 29, 1996.

St. Mary's College, Notre Dame, Indiana: Solomon; April 1, 1996.

Hartwick College, Oneonta, New York: Solomon; April 19, 1996.

Washington College, Chestertown, Maryland: Solomon; October 7, 1996.

Cohen Recital Hall, Fine Arts Building, East Stroudsburg University, Stroudsburg, Pennsylvania: Anna Sue Cavanaugh, piano; May 1, 2001.

Fine Arts Center, East Stroudsburg University, East Strousburg, Pennsylvania: Cavanough; October 23, 2002.

 

Running and Shadows In The Wind

James Madison University, Harrisburg, West Virginia: Sandra Cryder, soprano, Vickie Berneking, piano; January 30, 1995.

Shadows In The Wind

First Unitarian Universalist Church, Columbus, Ohio: Stephanie Mesler-Evans, soprano.

 

Spirit Of America

Gordon Center for the Performing Arts, Owings Mills, Maryland: Concert Artists of Baltimore (Edward Polochick, conductor) with audience participation, with chorus; March 2, 2003.

Joseph Meyerhoff Symphony Hall: Concert Artists of Baltimore (Edward Polochick, conductor) with audience participation, with chorus; March 3, 2003.

 

Trojan Women

St. John’s College, Annapolis, Maryland: excerpts; 1987.

Wednesday Noon Series, Johns Hopkins University.

 

Weeping Rocker

Towson State University (electronic score): Nancy Wanich-Romita, choreographer; June 26-28, 1992.

Stephens Hall, Towson State University: Towson Ensemble Dancers (TED) (Nancy Wanich-Romita, choreographer); October 9-11, 1992.

Connecticut College, New London, Connecticut (electronic score): Nancy Wanich-Romita, choreographer; October 30, 1993.

Baltimore Museum of Art (electronic score): Wanich-Romita; November 13, 1993.

Wilson College, Chambersburg, Pennsylvania (electronic score): Wanich-Romita; November 16, 1993.

Anne Arundel Community College (electronic score): Wanich-Romita; March 1994.

Synthese Festival International De Musique Electroacoustic, Bourges, France (electronic score): June 3, 1994.

Baltimore Museum of Art (electronic score): Nancy Wanich-Romita, choreographer; November 5, 1994.

 

With Love, a fantasy for live cello and cello cases (prepared tape), in memory of Myrtle Hollins Adelberg.

Contemporary Music Forum, Corcoran Gallery, Washington, D.C.: Lori Barnet, cello; November 17, 1986.

Strathmore Hall, Rockville, Maryland: April 1987.

Varadero, Cuba: June 1987.

Bourges, France: June 1987.

Seamus, Los Angeles, California: October 21, 1988.

Peabody Conservatory: Dan Malkin, cello; November 11, 1988.

Minnesota Composers Forum, Southern Theatre: Lucia Magney, cello; January 19, 1989.

Towson State University: Cecilia Barcyzk, cello; May 14, 1989.

Ohio International Electroacoustic Music Festival, Oberlin College: Elizabeth Simkins, cello; September 23, 1989.

Charles County Arts Alliance, Christ Church, La Plata, Maryland: Dan Malkin, cello; November 4, 1989.

Hartford Court, Bronson & Hutinsky Theatre: Jeffrey Krieger, cello; November 15, 1989.

Center Church, Hartford, Connecticut: Krieger; January 9, 1990.

Trinity College, Hartford, Connecticut: Krieger; February 5, 1990.

Res Music America concert, Baltimore Museum of Art: Dan Malkin; March 11, 1990.

Heidelberg College, Tiffin, Ohio: Barbara Naragon, cello, Brian Bevelander, producer; March 25, 1990.

Joliet Junior College, Joliet, Illinois: Jeffrey Kreiger, viola; October 17, 1990.

House of Composers, Leningrad, Russia: Cecilia Barcyzk, cello; December, 1990.

Weinberg Center, Frederick, Maryland: Dan Malkin, cello; March 1, 1991.

Loomis Chaffee School, Windsor, Connecticut: Jeffrey Kreiger, cello; September 26, 1991.

New Music Festival, Memphis State University, Memphis, Tennessee: Joe Rodgers, cello, John Baur, director; March 6, 1992.

Temple Oheb Shalom (with lecture by Rudow): Cecylia Barczyk, cello; May 13, 1992.

Bourges, France: cello & prepared tape; June 8, 1992.

Oslo, Norway: Nicem, cello & prepared tape; February 14, 1993.

Conservatory of Music,Warsaw, Poland: Cecylia Barczyk, cello; May 4, 1993.

Gdansk, Poland: Barczyk; May 7, 1993.

Lodz, Poland: Barczyk; May 9, 1993.

Katowice, Poland: Barczyk; May 12, 1993.

Bytom, Poland: Barczyk; May 14, 1993.

MUESTRA INTERNACIONAL DE MUSICA ELECTROACOUSTICA, University of Puerto Rico, San Juan, Puerto Rico: Roselyn Iannelli, cello; March 28, 1995.

Birmingham Art Music Alliance, University of Monevallo, Montevallo, Alabama: Craig Hultgren, cello; October 7, 1996.

Peggy & Yale Gordon concert, Har Sinai Congregation: Sharon Robinson, cello; June 1, 1997.

Walden School 25th Anniversary Alumni Concert, Dublin, New Hampshire: July 6, 1997.

Celebrating 100 years of Women Composers Conference, Ohio University, Athens, Ohio: Mark Schroeder, cello; October 24, 1997.

Richmond Public Schools: Jennifer Combs, cello; April 21 & 24, 1998.

First Thursday concert, Pump House Gallery, Bushnell Park, Connecticut: Combs; June 4, 1998.

JIEM 98 Festival, Museo Nacional Centro de Arte Reina Sofia (Adolfa Nunez, curator), Madrid, Spain: Jose Maria Manero, cello; July 3, 1998.

Richmond, Virginia: Jennifer Combs, cello; August 1998.

Center for Experimental Music and Intermedia, University of North Texas: March 25, 1998.

Heidelberg College, Tiffin, Ohio: Mairi Dorman, cello; April 18, 1998.

Birmingham Museum of Art, Birmingham, Alabama: Craig Hultgren, cello (finalist, Hultgren Competition); July 1999.

Performing Arts Studio of Emory University, Next Fest Series, Atlanta, Georgia: Hultgren, cello; September 19, 1999.

Loyola College: Dora Lam, cello; November 12, 1999.

Cathedral Square Gallery, Mobile Alabama: Craig Hultgren, cello; November 17, 1999.

Nature Trails College Gallery (Teri Rueb exhibition), Villa Julie College: March 13-April 29, 2000.

30th Festival International des Musiques et Creations Electroniques, Bourges, France: June 15, 2000.

Artscape, listening station “Music Speaks,” July 13-15, 2001.

Maison de la Culture de Bourges, France: October 17, 2002.

GEDOK concert, Mannheim, Germany, Gabriele Derendorf, cello; September 28, 2003.

 

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Interactive

 

Performance,  SPECIAL CREATIVE: Kennedy Center, Millennium stage, Washington, DC, August 13, 2001; Performance-Art LIVE on stage VARIATIONS OF VARIATIONS, XI, CUBAN LAWYER, JUAN BLANCO, Rudow performing, Sonic Circuits Concert; (premiere Havana, Cuba 2000.)

Performances, SPIRIT OF AMERICA: full orchestra with audience participation, July 12, 2002 Chesapeake Orchestra, Jeffrey Silberschlag, conductor, Riverside Outdoor Concert Festival, St. Mary’s City, 3,000 people  audience; with adult chorus and audience participation, March 2, 2003 Concert Artists of Baltimore, Edward Polochick, conducting, Gordon Center, Owings Mills, March 3, Meyerhoff Concert Hall, Baltimore, Maryland. 

 

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Radio Performances

 

2006

USA

Racing Inside the Milkyway, Electroacoustic Music Volume VIII # Electroshock Records/2002, MARTIAN GARDENS, Host: Max Shea; APRIL 2, 2006

The Bare Smooth Stone...89.9 WDAV Classical Public Radio, Davidson, North Carolina, NACUSA, GREETINGS FROM, April 6, 2006 2:19pm

With Love (in memory of Myrtle Hollins Adelberg), (cello: Paula Skolnick-Childress) WMUA FM 91.1, Amherst, Mass. 01003, MARTIAN GARDENS, Host: Max Shea; With Love/Portrait of a Friend v.a.r./2004; MAY 14, 2006

 

1986

INTERNATIONAL

With Love: Luneburg, Germany; France; Switzerland.

Neve Tone, Dusseldorf.

USA

No Rest For Devy's Spirit, Devy's Song, Americana Visited: WBJC-FM, Baltimore.

With Love: WCVT-FM, Baltimore.

 

1987

INTERNATIONAL

With Love: Canadian Broadcasting Corporation, Toronto, Canada; May 10.

With Love: Cuba.

USA

Portrait of a Friend and With Love: WJHU-FM, Baltimore; Desert Island Discs, May 31.

 

1988

INTERNATIONAL

With Love: France Sacem.

USA

With Love: WJHU-FM, Baltimore; May.

 

1989

USA

With Love: WJHU-FM, Baltimore; May.                

Americana Visited and Devy’s Song: WGMS-FM, Washington, DC; National Gallery Concert; Lynac LeVine and Myriam Teie.

No Rest for Devy’s Spirit: WETA-FM, Washington, DC; Phillips Collection Concert, Richard Field and Jeffrey Chappell.

NPR PERFORMANCE TODAY:  offered to 115 radio stations, interview and

With Love offered May 12, performed on different days.

With Love: WPFW-FM, Washington, DC; The Poet and the Poem, Grace Cavalieri show,

with interview; May 21.

The Healing Place: WJHU-FM; September 6 and 17, 1989; January 24 and March 31, 1990.

 

1990

USA

With Love: WCVE-FM, Richmond, Virginia: Music Since 1900 (show #403); Timothy Kloth, producer; October 20.

With Love: KPFM-FM; SCREAM Festival, Music of America, Jeannie Poole, Rodney Oakes,

producer; October 29.

 

1991

USA

Portrait of a Friend: KPFM-FM; SCREAM Festival, Barry Schrader, co-host; October 21.

 

1992

USA

Migrations: WPFW 89.3 FM, Washington, DC; Grace Cavalieri, The Poet and The Market Place; electronic score to poetry by Cavalieri plus interview, October 11, 8:00 p.m.

 

1993

USA

Migrations: WPFW 89.3 FM, Washington, DC; Grace Cavalieri, The Poet and The Poem; electronic score to poetry by Cavalieri plus interview, May 30, 8:00 p.m.

HUNGARY

Rebecca’s Rainbow and Weeping Rocker: Hungarian Radio; Programme of Bartok Radio, 3rd programme, Janos Decsenyi, curator; August 5.

USA

Weeping Rocker II: KPFK 90 FM, CA; Music of Americas, Jeannie Pool, Rodney Oakes, curator; October 4.

 

1994

USA

Racing Inside the Milky Way: KFAI 90.3 FM, Minneapolis.

 

1996

ARGENTINA

With Love: National Radio Argentina; Musica y Technologia series, Ricardo De Falla, director; August 26.

 

1997

South Africa

Rebecca’s Suite: Fine Music Radio F.M.R. 101.3, Cape Town; A Pertif, Ethel Robinson, host; Jeffrey Chappell and Eric Conway, piano; September 13, 12-1 p.m.